Very interesting and thought-provoking!
Following on from last week’s blog post, introducing my thoughts on the “problem” of language in historical fiction, today I am going to consider the possible effects of using modern language in an historical novel.
Ken Follett is one novelist who has been accused of using overly modern language in his mediaeval historical novels (Pillars of the Earth and World Without End). For some of his readers (evidenced from book reviews), their impression of undue modernity in the novel’s language does matter:
‘Obviously, a novel set around the 12th [sic – should be 14th] century could never be written in contemporary prose… But some concession needed to be made in order to emphasise antiquity, or it might as well be set in the present. …I found myself jerked out of the spell by the kind of prose and dialogue that I can hear on the…
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